최연식 심화이론 1 표현편
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『최연식 심화이론. 1 표현편』은 중등임용 대비서이며 〈조형 요소와 조형 원리〉, 〈조소〉, 〈서예〉 등을 수록하고 있어 기초적이고 전반적인 내용을 확인하실 수 있습니다.
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chapter 1 회화 1. 조형 요소와 조형 원리 ············································································· 20
〈1〉 조형 요소 ··························································································· 21
〈2〉 조형 원리 ··························································································· 33
2. 소묘(drawing) ··························································································· 40
3. 채색화(painting) ······················································································· 51
〈1〉 재료에 따른 종류 ············································································· 52
〈2〉 제재에 따른 종류 ············································································· 65
1) 정물화 (still life) ·········································································· 65
2) 풍경화(landscape) ········································································ 68
3) 인물화 ····························································································· 72
4) 여러 가지 표현기법 ······································································ 74
4. 동양화 - 수묵화 / 채색화 ········································································ 85
〈1〉 수묵화 ·································································································· 86
〈2〉 채색화 ································································································ 106
5. 판화 ··········································································································· 126
〈1〉 볼록판화(릴리프) ··········································································· 136
〈2〉 오목판화(인타글리오) ····································································· 145
〈3〉 평판화(리소그래프) ··········································································· 163
〈4〉 공판화(세리그라피) ··········································································· 172
〈5〉 생활 속에서의 판화 활용 ································································ 177
chapter 2 조소 1. 조각 ··········································································································· 188
2. 소조 ··········································································································· 195
3. 용접법 ······································································································· 214
chapter 3 서예 1. 자세 ··········································································································· 232
2. 운필법(運筆法) ······························································ 234
3. 기초 서예 실기 ························································································ 242
4. 글자의 구성 ······························································································ 245
5. 한글 서체 ·································································································· 248
6. 한자 서체 ·································································································· 263
7. 임서와 창작 ······························································································ 279
8. 전각 ········································································································· 282
9. 생활과 서예 ······························································································ 296
10. 한문 서예사 ···························································································· 297
chapter 4 디자인 1. 기초 디자인 ······························································································ 313
〈1〉 색채 ···································································································· 313
〈2〉 구성 ···································································································· 339
〈3〉 색채학론 ····························································································· 341
2. 시각 전달 디자인 ····················································································· 352
〈1〉 그래픽 디자인 ··················································································· 353
〈2〉 포장 디자인(패키지 디자인) ···························································· 403
〈3〉 전시 디자인(디스플레이) ·································································· 408
〈4〉 영화와 영상 디자인 ·········································································· 411
〈5〉 멀티미디어 디자인 ··········································································· 429
3. 산업 디자인(제품디자인) ········································································· 433
4. 환경 디자인 ······························································································ 445
5. 디자인의 역사 ························································································ 453
chapter 5 공예 1. 도자 공예 ································································································ 487
2. 지 공예 ······································································································ 505
3. 금속 공예 ·································································································· 510
4. 칠보 공예 ································································································ 526
5. 목 공예 ···································································································· 530
6. 염직 공예 ·································································································· 533
7. 초자 공예 ·································································································· 555
8. 화각(華角) 공예 ······················································································ 560
9. 나전(螺鈿) 칠기 ······················································································ 562
10. 완초(초경, 왕골) 공예 ········································································· 571
11. 죽세 공예 ······························································································ 572
12. 가죽 공예 ······························································································ 573
chapter 6 사진 1. 카메라의 작동원리 ················································································· 576
2. 카메라의 종류 ························································································ 577
3. 촬영 ········································································································· 580
4. 카메라의 구분 ························································································ 584
〈1〉 조형 요소 ··························································································· 21
〈2〉 조형 원리 ··························································································· 33
2. 소묘(drawing) ··························································································· 40
3. 채색화(painting) ······················································································· 51
〈1〉 재료에 따른 종류 ············································································· 52
〈2〉 제재에 따른 종류 ············································································· 65
1) 정물화 (still life) ·········································································· 65
2) 풍경화(landscape) ········································································ 68
3) 인물화 ····························································································· 72
4) 여러 가지 표현기법 ······································································ 74
4. 동양화 - 수묵화 / 채색화 ········································································ 85
〈1〉 수묵화 ·································································································· 86
〈2〉 채색화 ································································································ 106
5. 판화 ··········································································································· 126
〈1〉 볼록판화(릴리프) ··········································································· 136
〈2〉 오목판화(인타글리오) ····································································· 145
〈3〉 평판화(리소그래프) ··········································································· 163
〈4〉 공판화(세리그라피) ··········································································· 172
〈5〉 생활 속에서의 판화 활용 ································································ 177
chapter 2 조소 1. 조각 ··········································································································· 188
2. 소조 ··········································································································· 195
3. 용접법 ······································································································· 214
chapter 3 서예 1. 자세 ··········································································································· 232
2. 운필법(運筆法) ······························································ 234
3. 기초 서예 실기 ························································································ 242
4. 글자의 구성 ······························································································ 245
5. 한글 서체 ·································································································· 248
6. 한자 서체 ·································································································· 263
7. 임서와 창작 ······························································································ 279
8. 전각 ········································································································· 282
9. 생활과 서예 ······························································································ 296
10. 한문 서예사 ···························································································· 297
chapter 4 디자인 1. 기초 디자인 ······························································································ 313
〈1〉 색채 ···································································································· 313
〈2〉 구성 ···································································································· 339
〈3〉 색채학론 ····························································································· 341
2. 시각 전달 디자인 ····················································································· 352
〈1〉 그래픽 디자인 ··················································································· 353
〈2〉 포장 디자인(패키지 디자인) ···························································· 403
〈3〉 전시 디자인(디스플레이) ·································································· 408
〈4〉 영화와 영상 디자인 ·········································································· 411
〈5〉 멀티미디어 디자인 ··········································································· 429
3. 산업 디자인(제품디자인) ········································································· 433
4. 환경 디자인 ······························································································ 445
5. 디자인의 역사 ························································································ 453
chapter 5 공예 1. 도자 공예 ································································································ 487
2. 지 공예 ······································································································ 505
3. 금속 공예 ·································································································· 510
4. 칠보 공예 ································································································ 526
5. 목 공예 ···································································································· 530
6. 염직 공예 ·································································································· 533
7. 초자 공예 ·································································································· 555
8. 화각(華角) 공예 ······················································································ 560
9. 나전(螺鈿) 칠기 ······················································································ 562
10. 완초(초경, 왕골) 공예 ········································································· 571
11. 죽세 공예 ······························································································ 572
12. 가죽 공예 ······························································································ 573
chapter 6 사진 1. 카메라의 작동원리 ················································································· 576
2. 카메라의 종류 ························································································ 577
3. 촬영 ········································································································· 580
4. 카메라의 구분 ························································································ 584
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