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미술평론집이다.
예술이 불이 아닐 대, 예술작품이 불꽃이 아닐 때,
그것이 저항이 아닐 뿐 아니라 저항을 흉내 내는 것조차 아닐 때,
예술은 그저 불의 우울일 뿐이다.
아무것도 태우지 못하는.
예술이 불이 아닐 대, 예술작품이 불꽃이 아닐 때,
그것이 저항이 아닐 뿐 아니라 저항을 흉내 내는 것조차 아닐 때,
예술은 그저 불의 우울일 뿐이다.
아무것도 태우지 못하는.
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서문ㆍㆍ불의우울··································································· 3
1.ㆍㆍ전시의ㆍ전체주의
'장치'가되어버린서사들-효과의전면화···························· 17
커피한잔과로칼리즘그리고시장···································· 32
불임(不姙)의생산..2016년부산비엔날레···························· 40
연출의과잉, 전체주의의우려············································ 55
시간과공간으로서부산····················································· 63
소비의숭고와쾌락의현대성············································· 73
2.ㆍ이ㆍ시대,ㆍ대중적인ㆍ것의ㆍ유혹
예술은대중적이지않다····················································· 83
저항과변혁의미술..부산의형상미술의배경····················· 91
풍경과자화상, 순치의두려움············································ 95
가면들, 그리고반복되는것들·········································· 134
상식, 양식, 그리고서사적언어의감각화························· 143
3.ㆍ나에게ㆍ말ㆍ걸기
경생상외(境生象外)-드러냄과감춤의울림에서················ 153
드러나지않은것에의성찰··············································· 162
맞서지않고현재를응시하기··········································· 169
내성(內省)의언어, 구(球) ·················································· 174
사물들의표면을읽는'말없는삶' ····································· 186
울림으로있는··································································· 192
경계에서서존재에게······················································· 199
4.ㆍ타자로의ㆍ여행
한여행자의지도읽기······················································ 211
'다른곶'으로밀어내기-존재론적질문······························ 226
시간의밀도, 빈진열장의응시·········································· 234
생성의강렬도와'사유-느낌' ············································· 241
잠재된공간흔들기··························································· 247
오래된시(詩)의촉감, 헤테로토피아································· 252
서사를만드는정물들······················································· 259
5.ㆍ여기라는ㆍ장소
장소를소환하는버팀목, 부산항······································· 267
여기를지우고저기-지금을본다······································ 274
몸으로서의시선-실존적지각··········································· 286
'아는것'의투명한공간···················································· 296
풍경의시간······································································ 302
단절없는사물들의언어·················································· 309
6.ㆍ감각적ㆍ몸,ㆍ이미지들
잉여의구름-씁쓸한여자들··············································· 319
즉각소진되는심연··························································· 326
몸으로만나는언어들······················································· 332
내가다가가서네가되는-일상이은유가될때·················· 339
작가없는생성의이미지·················································· 344
ㆍ강선학의 '작가없는생성의이미지'에대한비평ㆍ에
대해············································································· 349
7.ㆍ자기유사의ㆍ지점
주체속타자의무한성으로··············································· 359
자기복제의차이로증식하는것········································ 367
실재없는복제의역설적지점에서··································· 373
자기생성의노출과도약··················································· 378
사유-느낌혹은질적변형················································· 384
8.ㆍ문사적(文士的)ㆍ그림
문사적그리기로서수묵화················································ 403
넘어서지않으면서넘어서는사유···································· 421
작가ㆍ찾기 ········································································ 439
1.ㆍㆍ전시의ㆍ전체주의
'장치'가되어버린서사들-효과의전면화···························· 17
커피한잔과로칼리즘그리고시장···································· 32
불임(不姙)의생산..2016년부산비엔날레···························· 40
연출의과잉, 전체주의의우려············································ 55
시간과공간으로서부산····················································· 63
소비의숭고와쾌락의현대성············································· 73
2.ㆍ이ㆍ시대,ㆍ대중적인ㆍ것의ㆍ유혹
예술은대중적이지않다····················································· 83
저항과변혁의미술..부산의형상미술의배경····················· 91
풍경과자화상, 순치의두려움············································ 95
가면들, 그리고반복되는것들·········································· 134
상식, 양식, 그리고서사적언어의감각화························· 143
3.ㆍ나에게ㆍ말ㆍ걸기
경생상외(境生象外)-드러냄과감춤의울림에서················ 153
드러나지않은것에의성찰··············································· 162
맞서지않고현재를응시하기··········································· 169
내성(內省)의언어, 구(球) ·················································· 174
사물들의표면을읽는'말없는삶' ····································· 186
울림으로있는··································································· 192
경계에서서존재에게······················································· 199
4.ㆍ타자로의ㆍ여행
한여행자의지도읽기······················································ 211
'다른곶'으로밀어내기-존재론적질문······························ 226
시간의밀도, 빈진열장의응시·········································· 234
생성의강렬도와'사유-느낌' ············································· 241
잠재된공간흔들기··························································· 247
오래된시(詩)의촉감, 헤테로토피아································· 252
서사를만드는정물들······················································· 259
5.ㆍ여기라는ㆍ장소
장소를소환하는버팀목, 부산항······································· 267
여기를지우고저기-지금을본다······································ 274
몸으로서의시선-실존적지각··········································· 286
'아는것'의투명한공간···················································· 296
풍경의시간······································································ 302
단절없는사물들의언어·················································· 309
6.ㆍ감각적ㆍ몸,ㆍ이미지들
잉여의구름-씁쓸한여자들··············································· 319
즉각소진되는심연··························································· 326
몸으로만나는언어들······················································· 332
내가다가가서네가되는-일상이은유가될때·················· 339
작가없는생성의이미지·················································· 344
ㆍ강선학의 '작가없는생성의이미지'에대한비평ㆍ에
대해············································································· 349
7.ㆍ자기유사의ㆍ지점
주체속타자의무한성으로··············································· 359
자기복제의차이로증식하는것········································ 367
실재없는복제의역설적지점에서··································· 373
자기생성의노출과도약··················································· 378
사유-느낌혹은질적변형················································· 384
8.ㆍ문사적(文士的)ㆍ그림
문사적그리기로서수묵화················································ 403
넘어서지않으면서넘어서는사유···································· 421
작가ㆍ찾기 ········································································ 439
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1989년 <;형상과 사유>;를 시작으로 <;그림보기의 고독 혹은 오만>;<;불면>;<;질문들>;등 13권의 미술평론집을 출간했다.
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