김남주 시 연구
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남주를 읽는 새로운 방법을 제시한 책
민족시인 김남주의 전체 시를 조망한 새로운 시선
이 책은 김남주의 시를 탈식민주의적 관점에서 분석한 것이다. 첫째, 타자의 담론에서 주체의 담론으로 건너가기 위한 방법으로 제시된 탈식민주의적 관점이 김남주의 시에 어떻게 적용되는가. 둘째, 김남주가 “시”라는 무기를 통해서 궁극적으로 지향하고자 하는 바는 무엇인가. 셋째, 김남주의 노동 시편들이 가지는 탈식민주의적 특성은 무엇인가. 넷째, 김남주가 구사하는 시어 및 형상화 기법의 특징과 그것을 통해 김남주가 의도한 바가 무엇인가. 책의 두 번째 장은 김남주가 출옥한 이후에 출간한 텍스트를 살펴본 것이다. 세 번째 장은 김남주의 텍스트에 나타난 여성의 이미지의 실체를 밝힌 내용이다.
민족시인 김남주의 전체 시를 조망한 새로운 시선
이 책은 김남주의 시를 탈식민주의적 관점에서 분석한 것이다. 첫째, 타자의 담론에서 주체의 담론으로 건너가기 위한 방법으로 제시된 탈식민주의적 관점이 김남주의 시에 어떻게 적용되는가. 둘째, 김남주가 “시”라는 무기를 통해서 궁극적으로 지향하고자 하는 바는 무엇인가. 셋째, 김남주의 노동 시편들이 가지는 탈식민주의적 특성은 무엇인가. 넷째, 김남주가 구사하는 시어 및 형상화 기법의 특징과 그것을 통해 김남주가 의도한 바가 무엇인가. 책의 두 번째 장은 김남주가 출옥한 이후에 출간한 텍스트를 살펴본 것이다. 세 번째 장은 김남주의 텍스트에 나타난 여성의 이미지의 실체를 밝힌 내용이다.
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김남주 시의 탈식민성 연구
1. 서론 ··················································································· 13
2. 분석 텍스트의 확정 ···························································· 16
3. 저항 담론의 다양한 양상들 ················································· 38
1) 예술관에 투영된 탈식민주의적 특성 ········································ 38
2) '5월 광주'의 형상화 양상과 민주 정신의 투영 ··························· 57
3) 반미·반파쇼 이념의 형상화 ··················································· 84
4) 반자본주의 의식 ······································································ 95
5) 계급의식 중심의 민중애 ························································· 106
4. 형상화 기법의 특성 ·························································· 124
1) 아이러니와 풍자 ···································································· 124
2) 욕설과 비속어 ······································································· 133
5. 결론 ················································································· 143
패배와 재무장의 변증법
1. 다시 부르는 김남주 ·························································· 151
2. 닫힌 '광장'의 혼돈 ··························································· 152
3. 계급적 동지애와 낭만적 사랑 ············································ 155
4. 미제국주의의 침탈에 대한 투쟁 ········································ 160
5. 노동 계급에 대한 유물론적 인식 ······································· 165
6. 끝나지 않은 해방가 ·························································· 168
김남주 시에 투영된 여성 이미지의 양상들
1. 서론 ················································································· 173
2. 자기 관계 외의 여성에 대한 부정 ······································ 174
1) 부정적 메타포로서의 여성 이미지 ·········································· 174
2) 매매 대상으로서의 여성 이미지 ············································· 178
3. 자기 관계 내의 여성에 대한 긍정 ······································ 184
1) 애인-아내에 나타난 여성 이미지 ············································ 184
2) 어머니에 나타난 여성 이미지 ················································· 187
4. 결론 ················································································· 191
참고문헌 ············································································· 194
1. 서론 ··················································································· 13
2. 분석 텍스트의 확정 ···························································· 16
3. 저항 담론의 다양한 양상들 ················································· 38
1) 예술관에 투영된 탈식민주의적 특성 ········································ 38
2) '5월 광주'의 형상화 양상과 민주 정신의 투영 ··························· 57
3) 반미·반파쇼 이념의 형상화 ··················································· 84
4) 반자본주의 의식 ······································································ 95
5) 계급의식 중심의 민중애 ························································· 106
4. 형상화 기법의 특성 ·························································· 124
1) 아이러니와 풍자 ···································································· 124
2) 욕설과 비속어 ······································································· 133
5. 결론 ················································································· 143
패배와 재무장의 변증법
1. 다시 부르는 김남주 ·························································· 151
2. 닫힌 '광장'의 혼돈 ··························································· 152
3. 계급적 동지애와 낭만적 사랑 ············································ 155
4. 미제국주의의 침탈에 대한 투쟁 ········································ 160
5. 노동 계급에 대한 유물론적 인식 ······································· 165
6. 끝나지 않은 해방가 ·························································· 168
김남주 시에 투영된 여성 이미지의 양상들
1. 서론 ················································································· 173
2. 자기 관계 외의 여성에 대한 부정 ······································ 174
1) 부정적 메타포로서의 여성 이미지 ·········································· 174
2) 매매 대상으로서의 여성 이미지 ············································· 178
3. 자기 관계 내의 여성에 대한 긍정 ······································ 184
1) 애인-아내에 나타난 여성 이미지 ············································ 184
2) 어머니에 나타난 여성 이미지 ················································· 187
4. 결론 ················································································· 191
참고문헌 ············································································· 194
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충남 예산에서 출생하여 충남대학교 국어국문학과를 졸업하고 같은 대학원에서 문학박사학위를 받았다. 저서로 『타자의 시 읽기, 주체의 글쓰기』, 『김남주 문학의 세계』(공저)가 있다. 2007년 필명 박현으로 계간 시전문지 『애지』를 통해 등단하였으며, 시집으로 『굴비』, 『승냥이, 울다』가 있다. 현재 충남대학교 강사로 있다.
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