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제1부

제1장 시란 무엇인가?

1. 시와 시 아닌 것·································································13

2. 시의 기원과 이론적 장르로서의 시······································15

3. 역사적 장르로서의 시와 우리 시의 전개·······························21

4. 시에서 시적인 것으로·························································27

제2장 좋은 시란 무엇인가?

1. 좋아하는 시와 좋은 시·······················································32

2. 좋은 시를 판단하는 4가지 기준···········································35

3. 시의 감상과 분석 방향·······················································52



제2부

제3장 시는 대화다

1. 시인과 독자······································································61

2. 화자의 정의와 시인과의 관계··············································65

3. 화자와 비슷한 다른 개념들·················································68

4. 시 읽기와 화자의 구성 방법················································71

제4장 화자와 어조

1. 화자의 유형에 관한 문제····················································78

2. 어조의 정의와 유형화 방법·················································80

3. 화제와 어조: 정서적 거리에 따른 태도·································81

4. 청자와 어조: 위계에 따른 태도············································87

5. 화자와 어조: 이중성에 따른 태도········································89

제5장 어조의 종류

1. 아이러니···········································································92

2. 역설·················································································97

3. 아이러니와 역설의 복합적 효과········································· 101

4. 패러디와 패스티시··························································· 106



제3부

제6장 시는 낯설게 하기다

1. 시의 언어에 대한 오해들·················································· 115

2. 일상 언어의 특징····························································· 117

3. 일상 언어의 낯설게 하기·················································· 123

제7장 기의를 낯설게 하기

1. 기의를 낯설게 한다는 것의 의미········································ 126

2. 이미지············································································ 130

3. 비유··············································································· 145

4. 상상력과 동일성의 시······················································ 162

제8장 기표를 낯설게 하기

1. 기표를 낯설게 한다는 것의 의미······································· 166

2. 언어의 형태를 낯설게 하기··············································· 168

3. 언어의 소리를 낯설게 하기··············································· 172

4. 언어의 종합적 효과로서의 리듬········································ 182



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