태권도 안무론(음악과 함께 하는)

Ⅰ 태권도 안무의 이해

1. 태권도 안무의 형성배경 ·········································································3

2. 태권도 안무의 정의 ················································································5

3. 태권도 안무의 목적과 방향성 ······························································14

4. 태권도 안무의 특징과 효과 ··································································15

5. 태권도 안무의 분류 ··············································································19



Ⅱ 음악에 따른 태권도 안무 구성법

1. 음악의 이해 및 구성 ············································································25

2. 음악에 따른 작품 구성법 ·····································································31

3. 음악분석의 필요성 및 방법 ··································································36

4. 음악편집과 효과음 ················································································40

5. 어도비 오디션을 이용한 음악편집의 실제 ···········································42



Ⅲ 동작에 따른 태권도 안무 구성법

1. 동작의 이해 및 구성 ············································································47

2. 발동작 구성법 ·······················································································48

3. 발차기 구성법 ·······················································································59

4. 손동작 구성법 ·······················································································68

5. 공간사용별 동작 분류 ···········································································86

6. 대형과 대형변화 ····················································································88

7. 공간적 안무 적용법 ··············································································94

8. 호흡으로 표현하는 안무 적용법 ·························································100



Ⅳ 태권도 안무 지도법

1. 커뮤니케이션과 큐사인 ·······································································103

2. 태권도 안무 지도 및 연습방법 ··························································106

3. 태권도 안무 지도 시 유의점 ······························································109

4. 태권도 안무 지도 시 전체적인 주의점 ············································112

Ⅴ 태권도 안무의 실제

1. 강의 계획서 ························································································117

2. 안무교안 작성지 ·················································································123

3. 평가방법 ······························································································139

송선영 태권도움직임 연구소장

경희대학교 체육대학원 체육학 박사

경희대학교 태권도학과 강사

국기원 품새 실기강사

대한태권도협회 도장분과 강사

대한태권도협회 품새 상임심판