낙하생 이학규 문학의 심층 연구(양장본 HardCover)
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제1부 이학규의 삶의 궤적과 문학적 대응
Ⅰ. 유배 이전 생애와 초기의 문학적 경향 ········································ 17
1. 가학적 연원과 학풍 ···································································· 17
1) 남인계南人系 인맥과의 교류 ···················································· 17
2) 제원霽園과의 사귐과 실학적 학풍 ··········································· 26
2. 문학적 지향과 창작 활동 ························································· 42
Ⅱ. 유배 전반기의 시문 창작과 그 성과 ············································ 53
1. 유배지의 체험, 김해 사람들과의 만남 ··································· 56
2. 유배 일상과 문학으로의 경도 ·················································· 67
3. 유배 생활의 비감悲感과 심사의 토로 ···································· 83
4. 김해의 풍속과 향토정서의 표출 ·············································· 95
Ⅲ. 유배 후반기의 시문 창작과 그 성과 ·········································· 115
1. 유배 공간의 미적 인식 ···························································· 116
2. 주변 물사物事에 대한 시적 탐구 ·········································· 129
3. 실학적 사유와 논리적 제시 ···················································· 148
4. 자국사와 문물제도의 관심 ······················································ 163
Ⅳ. 해배 이후의 삶과 시문 창작 ······················································· 185
1. 해배 이후의 삶과 문학적 교유의 확대 ································ 186
1) 해배 이후 그의 처지 ···························································· 186
2) 다산茶山과 그 자제들과의 교유 ············································ 197
3) 자하紫霞와 여러 문사들과의 교유 ········································ 207
2. 해배 이후의 문학 세계 ··························································· 218
Ⅴ. 맺음말 ······························································································· 231
제2부 근기남인 실학파 문인의 위상과 면모
Ⅰ. 실학파 지식인의 물명에 대한 관심과 ?물명류해物名類解? ···· 237
1. 조선후기 실학적 학풍과 물명류 저술 ·································· 238
2. 이학규의 실학적 면모와 ?물명류해? ···································· 242
3. ?물명류해?의 체제와 그 특징 ··············································· 248
4. 결어 ··························································································· 264
Ⅱ. 이학규의 화훼 취미와 국영시菊影詩 창작 ································· 266
1. 화훼 취미와 '병양甁養'의 방식 ·············································· 267
2. 국화 애호와 국영시 창작 ······················································· 277
3. 결어 ···························································································· 289
Ⅲ. 이학규와 한재렴의 문학적 교유 탐색 ········································ 291
1. 이학규와 한재렴의 만남과 친교 양상 ·································· 292
2. 이학규와 한재렴의 서책 교환과 그 영향 ···························· 307
3. 결어 ···························································································· 315
Ⅳ. 조선 후기 가삼家蔘 재배와 ?삼서蔘書? ····································· 318
1. 가삼 재배법 정리와 농서農書 편찬 ······································ 319
2. ?삼서?의 저술 체계와 구체적 내용 ····································· 325
3. ?삼서?에 나타난 이학규의 실학적 면모 ······························ 338
4. 결어 ··························································································· 348
Ⅴ. 이학규의 서화書畵 인식과 감평鑑評··········································· 350
1. 서화 관련 서적의 습득과 이해 ·············································· 351
2. 서화 인식과 회화 감평 ··························································· 355
1) 회화 기법과 서예에 대한 인식 ············································ 356
2) 회화 감평의 실제 ································································· 370
3. 결어 ···························································································· 379
Ⅵ. 19세기 성호학파星湖學派 문인의 문물 고증과 기록 ················ 381
1. 성호학파의 가학 전통과 ?동사일지東事日知? ···················· 382
2. ?동사일지? 글쓰기의 특징 ····················································· 387
1) 자국 문물에 대한 주체적 인식 ············································ 390
2) 고증에 의한 사물의 기원 탐구 ············································ 399
3) 유배지역 특성과 실체험 반영 ·············································· 404
3. 결어 ···························································································· 410
제3부 보론
Ⅰ. 낙하생 문집 이본과 선집 수록 현황 ·········································· 415
1. 낙하생 문집 이본 현황 ··························································· 416
2. 낙하생 문집의 선집 수록 현황 ············································· 429
3. 낙하생 문집 현황 검토의 의미 ············································· 436
1) 기 간행 문집의 보완 및 확충 ·············································· 436
2) 새 자료 발굴로 인한 문학 지평 확대 ·································· 439
3) 근기남인계 시인으로서의 위상 재정립 ································ 444
4. 결어 ···························································································· 447
참고문헌 ··············································································· 449
제1부 이학규의 삶의 궤적과 문학적 대응
Ⅰ. 유배 이전 생애와 초기의 문학적 경향 ········································ 17
1. 가학적 연원과 학풍 ···································································· 17
1) 남인계南人系 인맥과의 교류 ···················································· 17
2) 제원霽園과의 사귐과 실학적 학풍 ··········································· 26
2. 문학적 지향과 창작 활동 ························································· 42
Ⅱ. 유배 전반기의 시문 창작과 그 성과 ············································ 53
1. 유배지의 체험, 김해 사람들과의 만남 ··································· 56
2. 유배 일상과 문학으로의 경도 ·················································· 67
3. 유배 생활의 비감悲感과 심사의 토로 ···································· 83
4. 김해의 풍속과 향토정서의 표출 ·············································· 95
Ⅲ. 유배 후반기의 시문 창작과 그 성과 ·········································· 115
1. 유배 공간의 미적 인식 ···························································· 116
2. 주변 물사物事에 대한 시적 탐구 ·········································· 129
3. 실학적 사유와 논리적 제시 ···················································· 148
4. 자국사와 문물제도의 관심 ······················································ 163
Ⅳ. 해배 이후의 삶과 시문 창작 ······················································· 185
1. 해배 이후의 삶과 문학적 교유의 확대 ································ 186
1) 해배 이후 그의 처지 ···························································· 186
2) 다산茶山과 그 자제들과의 교유 ············································ 197
3) 자하紫霞와 여러 문사들과의 교유 ········································ 207
2. 해배 이후의 문학 세계 ··························································· 218
Ⅴ. 맺음말 ······························································································· 231
제2부 근기남인 실학파 문인의 위상과 면모
Ⅰ. 실학파 지식인의 물명에 대한 관심과 ?물명류해物名類解? ···· 237
1. 조선후기 실학적 학풍과 물명류 저술 ·································· 238
2. 이학규의 실학적 면모와 ?물명류해? ···································· 242
3. ?물명류해?의 체제와 그 특징 ··············································· 248
4. 결어 ··························································································· 264
Ⅱ. 이학규의 화훼 취미와 국영시菊影詩 창작 ································· 266
1. 화훼 취미와 '병양甁養'의 방식 ·············································· 267
2. 국화 애호와 국영시 창작 ······················································· 277
3. 결어 ···························································································· 289
Ⅲ. 이학규와 한재렴의 문학적 교유 탐색 ········································ 291
1. 이학규와 한재렴의 만남과 친교 양상 ·································· 292
2. 이학규와 한재렴의 서책 교환과 그 영향 ···························· 307
3. 결어 ···························································································· 315
Ⅳ. 조선 후기 가삼家蔘 재배와 ?삼서蔘書? ····································· 318
1. 가삼 재배법 정리와 농서農書 편찬 ······································ 319
2. ?삼서?의 저술 체계와 구체적 내용 ····································· 325
3. ?삼서?에 나타난 이학규의 실학적 면모 ······························ 338
4. 결어 ··························································································· 348
Ⅴ. 이학규의 서화書畵 인식과 감평鑑評··········································· 350
1. 서화 관련 서적의 습득과 이해 ·············································· 351
2. 서화 인식과 회화 감평 ··························································· 355
1) 회화 기법과 서예에 대한 인식 ············································ 356
2) 회화 감평의 실제 ································································· 370
3. 결어 ···························································································· 379
Ⅵ. 19세기 성호학파星湖學派 문인의 문물 고증과 기록 ················ 381
1. 성호학파의 가학 전통과 ?동사일지東事日知? ···················· 382
2. ?동사일지? 글쓰기의 특징 ····················································· 387
1) 자국 문물에 대한 주체적 인식 ············································ 390
2) 고증에 의한 사물의 기원 탐구 ············································ 399
3) 유배지역 특성과 실체험 반영 ·············································· 404
3. 결어 ···························································································· 410
제3부 보론
Ⅰ. 낙하생 문집 이본과 선집 수록 현황 ·········································· 415
1. 낙하생 문집 이본 현황 ··························································· 416
2. 낙하생 문집의 선집 수록 현황 ············································· 429
3. 낙하생 문집 현황 검토의 의미 ············································· 436
1) 기 간행 문집의 보완 및 확충 ·············································· 436
2) 새 자료 발굴로 인한 문학 지평 확대 ·································· 439
3) 근기남인계 시인으로서의 위상 재정립 ································ 444
4. 결어 ···························································································· 447
참고문헌 ··············································································· 449
저자
저자
정은주
서울 출생.
성균관대학교 한문학과 및 동 대학원을 졸업하고 「낙하생 이학규 문학의 변모 양상 연구」로 박사학위를 받았다.
주요 논저로 실학파 지식인의 물명에 대한 관심과 『물명류해』, 19세기 성호학파 문인의 문물 고증과 기록, 『동사일지』, 철로 위에 선 근대지식인(공역) 등이 있다.
조선후기 한문학에 대한 관심을 견지한 채 근대시기로 연구 분야를 확장 중이다.
현재 성균관대학교 강사이다
저서 소개
조선후기 지성계를 이끌었던 근기남인 실학파의 마지막 세대, 이학규
그는 19세기 벽두에 발생한 신유사옥 때 반대파의 모함으로 인생이 급선회했다. 이 책은 생존을 위해 시 짓기와 글쓰기를 멈추지 않았던 이학규의 유배생활 24년에 걸친 생생한 기록이다. 여기에서 예민한 문학적 감수성을 지닌 문인, 현실주의 한시를 창작한 시인, 박학다식한 실학파 지식인까지 이학규의 다양한 모습을 만날 수 있다.
성균관대학교 한문학과 및 동 대학원을 졸업하고 「낙하생 이학규 문학의 변모 양상 연구」로 박사학위를 받았다.
주요 논저로 실학파 지식인의 물명에 대한 관심과 『물명류해』, 19세기 성호학파 문인의 문물 고증과 기록, 『동사일지』, 철로 위에 선 근대지식인(공역) 등이 있다.
조선후기 한문학에 대한 관심을 견지한 채 근대시기로 연구 분야를 확장 중이다.
현재 성균관대학교 강사이다
저서 소개
조선후기 지성계를 이끌었던 근기남인 실학파의 마지막 세대, 이학규
그는 19세기 벽두에 발생한 신유사옥 때 반대파의 모함으로 인생이 급선회했다. 이 책은 생존을 위해 시 짓기와 글쓰기를 멈추지 않았던 이학규의 유배생활 24년에 걸친 생생한 기록이다. 여기에서 예민한 문학적 감수성을 지닌 문인, 현실주의 한시를 창작한 시인, 박학다식한 실학파 지식인까지 이학규의 다양한 모습을 만날 수 있다.
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