융합의 중국문학

제1장 주대 문학
시대 배경 ··············································································20
제1절 음악의 원리와 작용 ·························································23
1. 음악의 원리 ······································································23
2. 음악의 기원과 사유 ····························································32
제2절 『시경』과 『초사』 ······························································48
1. 『시경』 ··············································································48
2. 『초사』 ·············································································63
제3절 산문 ···········································································68
1. 『서경』과 『춘추』 ··································································69
2. 춘추전국시대의 3대 역사서 ··················································74
3. 제자 산문 ········································································79

제2장 진한 시대 문학
시대 배경 ··············································································84
제1절 한 부 ···········································································88
1. 소체부 ·············································································88
2. 대부················································································94
3. 서정부의 흥기 ································································· 104
제2절 산문 ···········································································112
1. 정론문 ············································································112
2. 『사기』와 『한서』 ································································119
제3절 악부시 ······································································· 123
1. 악부와 악부민가 ······························································ 123
2. 「고시십구수」와 「공작동남비」 ············································· 131
3. 문인의 오언시 ································································· 134

제3장 위진남북조 문학
시대 배경 ············································································ 138
제1절 위진남북조의 시가 ························································ 143
1. 건안문학과 죽림칠현 ························································ 143
2. 좌사와 서진의 시인 ·························································· 156
3. 도연명과 동진의 시인 ························································ 157
4. 사령운 · 포조와 남조의 시인 ················································ 168
5. 영명체 시와 성률론 ·························································· 173
6. 남북조의 민가 ································································· 176
제2절 위진남북조의 부와 변려문 ··············································· 180
1. 위진남북조의 부 ······························································ 180
2. 위진남북조의 산문과 변려문 ··············································· 182
제3절 위진남북조의 소설 ························································ 192
제4절 위진남북조의 문학비평 ··················································· 198

제4장 당대 문학
시대 배경 ············································································ 210
제1절 당대의 시와 사 ····························································· 214
1. 초당·············································································· 216
2. 성당·············································································· 222
3. 중당 ············································································· 243
4. 만당 ············································································· 256
5. 사의 발생과 발전 ····························································· 264
제2절 당대의 산문과 전기소설 ·················································· 270
1. 문언의 원리와 역사··························································· 270
2. 고문운동 ······································································· 273
3. 당대의 전기소설 ······························································ 280
제3절 돈황변문 ···································································· 288
1. 돈황사본과 변문 ······························································ 289
2. 중국 언어와 서사문학의 새로운 진입 ···································· 296

제5장 송대 문학
시대 배경 ············································································ 308
제1절 송대 산문 ··································································· 312
1. 당송팔대가와 고문의 완성 ················································· 312
2. 구양수 · 소식과 송대의 문장가 ············································ 315
3. 성리학자의 글쓰기와 고문의 음악성 ····································· 325
제2절 송대의 시 ··································································· 329
1. 구양수의 송시 개척 ·························································· 329
2. 소식과 북송의 시인 ·························································· 333
3. 남송사대가와 남송의 시인 ················································· 344
제3절 송대의 사 ··································································· 348
1. 완약파와 호방파 ······························································ 348
2. 사의 새로운 도약 ····························································· 352
제4절 송대의 공연문학 ··························································· 357
1. 송대의 화본소설 ······························································ 357
2. 송대의 설창 ···································································· 359
3. 송대의 희곡 ···································································· 362

제6장 금대와 원대 문학
제1절 금대의 희곡과 시 ·························································· 374
1. 금대의 희곡 ···································································· 374
2. 금대의 시 ······································································· 375
제2절 원대의 산곡과 잡극 ······················································· 377
시대 배경 ·········································································· 377
1. 원대의 산곡 ···································································· 379
2. 원대의 잡극 ···································································· 381

제7장 명대 문학
시대 배경 ············································································ 388
제1절 명대의 시문과 노래 ························································ 393
1. 명대의 시문 ···································································· 393
2. 명대의 노래 ···································································· 401
제2절 명대의 소설 ································································ 406
1. 사대기서와 명대의 장회소설 ··············································· 406
2. 삼언이박과 명대의 화본소설 ··············································· 429
제3절 명대의 희곡 ································································ 433
1. 명초의 오대전기와 잡극 ····················································· 433
2. 탕현조와 명대 전기의 번영 ················································ 437

제8장 청대 문학
시대 배경 ············································································ 446
제1절 청대의 시문과 사곡 ······················································· 450
1. 청대의 시 ······································································· 450
2. 청대의 사곡 ···································································· 456
3. 청대의 산문 ···································································· 460
제2절 청대의 희곡과 설창문학 ·················································· 466
1. 청대의 희곡 ···································································· 466
2. 고사와 청대의 설창 ·························································· 469
제3절 청대의 소설 ································································ 472
1. 『요재지이』와 청대 단편소설 ················································ 473
2. 『홍루몽』 · 『유림외사』와 청대 장편소설 ··································· 475
3. 견책소설 ········································································ 492
참고문헌 / 495

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