미대입시 '64'

이 책의 핵심 내용은 미대입시를 준비하는 방법과 자세에 대한 조언입니다.



미대입시에 필요한 학교 교과시험과 수능시험을 준비하는 방법, 학생부종합전형과 실기 준비, 입시의 실제에 대한 핵심적인 내용, 그리고 입시준비 전반에 대한 마음 자세와 유의점을 담았습니다. 저자는 책에서 이렇게 이야기합니다.



'세 살 버릇 여든 간다.'는 속담이 있습니다. 이를 입시에 적용하면 미대입시는 공부와 실기를 병행하기 때문에 처음 시작할 때부터 입시 준비에 대한 전략과 자세가 매우 중요합니다.



미술 전공자로서 직업의 장점은 "내가 가장 하고 싶은 일을 하면서 경제적인 부분도 해결 한다."입니다. 좋아하지도 않고 잘하지도 못하는 일을 그저 먹고 살기 위해 평생의 직업으로 삼는다면 그것은 불행한 일입니다. 그러므로 미술이 좋아서, 재능이 있어 전공으로 선택하였다는 것은 장래 삶의 만족도를 높일 수 있는 탁월한 선택입니다.



미래는 문화예술 산업분야에 종사하는 사람이 대우받고 성공할 수 있는 시대입니다. 그 중 미술 분야는 우리 특유의 미적 감각을 발휘하여 세계를 선도할 수 있는 매우 유망한 분야이지요. 그러므로 미술을 전공으로 선택하는 일은 성공한 인생의 첫걸음이라고 생각하며, 그 성공의 길에 이 글이 조금이나마 도움이 되길 바라는 마음입니다.

- 여는 글 ········································································ 4

- 고등학교 진학은 어떻게? ··················································· 13



미대입시는 기본이 중요



1. 입시전략은 현실적으로 ·················································· 21

▣ 니들이 꿈을 알어? ························································· 26

2. 학교교육계획서를 참고하라 ·············································· 29

3. 학습계획은 꼼꼼하게 ···················································· 33

▣ 친구 따라 강남 간다? ····················································· 38

4. 모든 것을 다 할 수는 없다 ············································· 42

5. 목표 대학을 결정하라 ······················································ 45

▣ 급히 먹은 떡이 체한다 ····················································· 48

6. 진학의 목적을 분명히 하라 ·············································· 50

7. 미술시간이 너무 적어요~ ················································ 55

8. 미술관련 활동이 너무 적어요! ············································ 58

9. 미술전공자는 신경을 안 써요 ············································· 61

10. 전공의 선택은 적성이 우선! ············································· 64



교과성적? 필요할 때가 있다



1. 교과성적! 필요 ?지유? ·············································· 73

2. 학교공부! 살아가는 데 필요할까? ········································ 76

3. 필기? 아주 중요 해여~ ················································ 80

4. 이거 안 해도 되나? ··················································· 83

▣ 입시는 전면전이다 ····················································· 86

5. 시험 보는 것도 기술이다 ················································ 90



수능의 준비



1. 수능공부는 효율성이 먼저! ·············································· 97

2. 성적이 안 오르는 이유! ··············································· 101

▣ 오늘 하루만, 진짜! 오늘 하루만! ·········································· 105

3. 성적은 호기심이다 ···················································· 108

▣ 인생 만만한 게 아니여! ················································ 111

4. 마음은 전교 1등! ······················································ 115

5. 공부는 습관 그리고 방법 ··············································· 120

6. 지나침은 모자람만 못하다 ·············································· 124



학생부종합전형 준비



1. 넓게! 그리고 깊게! ···················································· 129

2. 독이 든 성배는 들지 말라! ············································· 133

3. 과목별 세부능력 및 특기사항 ············································ 136

▣ 입시생! 쉼표가 필요하다 ················································ 139

4. 동아리활동은 전문가의 포스로~ ········································· 142

5. 자율활동은 자율적인 주제로 ············································ 145

6. 입시와 리더십! ························································· 148

7. 진로활동 어떻게? ······················································ 151

8. 미술이랑 독서가 먼 상관이냐고 ········································· 154



실기준비는 이렇게



1. 미술학원은 어디로? ····················································· 161

2. 소묘는 지루해! ························································ 164

3. 기초는 항상 중요하다 ·················································· 168

4. 조화와 리듬감을 살려서 ················································ 172

5. 자만심은 독약! ························································ 176

6. 미술에서 창의성이란? ··················································· 181

7. 창의성! 왜 그리 강조하지? ············································ 186

8. 때와 장소를 가리지 말라 ··············································· 191

9. 머리에 쥐난다. 아이디어 구상! ·········································· 195

10. 슬럼프! 그리고 자존감! ··············································· 201

▣ 슬럼프? 당연히 온다 ··················································· 206

11. 실기에 올인 위험하다 위험해 ·········································· 208



실전에 들어가서



1. 이제는 어느 하나를 선택할 때 ········································· 215

▣ 쌍코피 터진다! 터져! ··················································· 219

2. 급할수록 돌아가라 ··················································· 223

3. 자존심이 밥 먹여주나? ················································ 226

4. 희망은 풍선처럼 부풀어 ··············································· 230

▣ 팔랑 귀는 안 돼영~! ················································· 233

5. 한 번의 선택이 평생을 좌우 한다 ······································ 237

▣ 긍정적인 생각, 긍정적인 결과! ··········································· 240

6. 자기소개서 작성의 기본 방향 ·········································· 244

7. 자기소개서 작성의 실제 ··············································· 249

8. 부족함을 보완할 수 있는 기회 ·········································· 254

9. 면접은 솔직하게! ······················································ 257

▣ 꽃 한 송이마저 치열하게 사는구나! ········································ 261

10. 끝날 때까지 끝난 게 아니다 ··········································· 264

- 돌아가는 길도 길이다 - ················································ 268

유장열 서울시 고등학교에서 30여 년 동안 미술교사로 재직하였다. 6권의 미술교과서를 집필하였으며, 미술영재프로그램과 미술과정 운영을 통해 오랜 시간 미술교육 프로그램 개발과 미술대학 입시지도를 하였다. 2019년 2월 명예퇴임 후 작품 활동을 하고 있다.



일반계 오금고를 미대입시 메카로 만들다



저자 유장열은 2009~2018년까지 서울 오금고등학교에서 미술교사로 재직하며 미술과정 운영을 통해 재능과 열정이 있는 학생들을 발굴하여 꿈을 향해 도전하도록 용기를 불어 넣었다. 다채로운 커리큘럼 운영, 논술 및 토론 등의 수업으로 학생들의 사고력을 성장시킨 결과 해마다 서울대, 홍익대, 국민대 등 유명 미술대학에 진학하는 학생들이 기하급수적으로 늘어나게 되었다. 그의 열정적이고 체계적인 지도에 많은 미술대학 지망생들이 모여들었고, 지속되는 뛰어난 대입결과로 오금고는 미대입시의 메카로 자리 잡게 되었다. 그러나 가만히 들여다보면 단지 명문대 합격자 수가 늘어난 입시 결과 때문만은 아니었다. 저자는 당장의 입시 결과보다 학생 스스로 자신의 잠재력을 확인하고 재능을 계발하며 미래를 위해 어떤 자세로 무엇을 준비해야 하는지를 학생들과 함께 고민하고 소통하는 데 주안점을 두었기 때문이다. 그 결과물로 미대입시의 방법과 진로문제를 고민하는 많은 학생들과 오랜 시간 함께하면서 고민해온 미술전공 학생이 지녀야 할 자세와 각자에 맞는 입시방법, 그리고 소통의 노하우를 누구나 공유할 수 있도록 이 책을 만들게 되었다.